Удивительная история нижнего бельяSuch a simple thing as underwear displays much more than individual preferences. Without realizing it, we choose not what you like and convenient, and that dictate our gender, morality, sexuality, style, body type and also the climate and the era in which we live. No other article of clothing does not cause so much interest and is not able to so eloquently tell about the secrets and the moods of its owner.

  • More than just linen

    At the exhibition in London’s Victoria and albert Museum has an impressive collection of lingerie from different eras. This is an attempt to explore the close relationship between a negligee and society, changes in body shape and fashion. Corsets, crinolines, stockings and panties, women, men and even children, are forced to think how little individual in our choices, even such intimate things, and how obediently we follow the dictates of fashion and public opinion.

  • Impeccable posture

    In the old days, straight posture was, along with pale skin, the main indicator of belonging to the upper class. Therefore, the linen was intended to serve a noble purpose to make the silhouette as direct. Linen created a form, it was a frame that was worn clothes, so it should be durable and reliable. As this corset of silk brocade fabric underwire, manufactured between 1770 and 1790 years. He fortified baleen front and copes with creating the perfect posture, pulling shoulders back and down.

  • Dear white

    White could afford to wear only the rich, because the care of such things was difficult. Extremely time-consuming process of washing required spacious rooms and a large staff of servants. At first things were soaked in an alkaline solution and then scrubbed and washed with soap in hot water, then boiled in huge vats, then rinsed, cromaline, wrung out, hung to dry, and then petting heavy hot irons. Presents snow white chemise is one such delicate items, indicating the high status of the owner.

  • Seductive wiggle

    The volume and smooth wave-like motion of crinoline to attract attention to your hips. Designers of the 20th and 21st centuries, such as Vivienne Westwood, Yohji Yamamoto and Jean Paul Gaultier, aware of this disturbing effect and use the crinolines of various modifications in their collections. This crinoline, Dating to about the year 1871, made from flax and spring steel. Wear bulky design in order to look attractive, it was in those days a common thing. However, some women spoke out against crinolines, citing the harm to health and frequent accidents.

  • Heated debate

    The debate about fashion in the 19th century was waged the hottest. Crinoline was a stumbling block. On the one hand, it increases women’s attractiveness to the opposite sex, on the other – was a cause of ridicule more progressive-minded segments of society and a target for the attacks of the authors of the pamphlets and humorous comics. This crinoline was manufactured in 1870 linen with horsehair for extra springiness.

  • Fascinating contrast

    This hot pink corset of silk satin and whalebone was created in about 1890-1895, most likely in England. Many of the corsets of the 19th century was presented to its owner to the very strict requirements: the waist circumference was less than 48 see the Subtlety of the waist increased the contrast with thighs that visually did the lower part more elaborate.

  • Bold socks

    These socks were worn by the English Princess Alexandra around 1900. They were created specifically for wearing with low shoes, allowing you to appreciate elegance of pattern. However, appearing from under women’s clothing sock ceased to shock the public only in 1920-ies, when the fairer sex was allowed to do tennis and Cycling.

  • Smooth shapes

    The bodices of the early 20th century were early versions of the bras that appeared in the form in which we know them today, in the 1930-ies. This product is made of silk and cotton was created by John Roussel in France. The bodice creates a softly rounded, organic shapes and embodies the dream of the women of that era, dreams of a beautiful, but lightweight clothes that you could put on and take off without the help of a maid.

  • French influences

    French knickers were popular among the upper class in the 1930-ies. This product is made of silk-chiffon with embroidery depicting falconry, especially luxurious. Was worn by the wife of a British diplomat, the former in the years 1940-1942 Ambassador in Baghdad. In his book “Memories of the diplomat’s wife” Betty Holman explains how the demonstration of this things helped her to find a common language with the wives of local officials.

  • Revolutionary technology

    The appearance in 1940 of nylon changed the look and functionality of lingerie. Easy linen efficiently warmed and cooled, well-washed, quickly dried up and did not require Ironing. A study of those years confirms that synthetic fabrics were especially popular among women under 45 years of age, who tried to keep up with fashion. This garter belt was made in Paris in the late 1950-ies.

  • The subtlety and youth

    Belt-corset reflects the changing living conditions and a new emphasis on youth. The belt 1960-ies urges to hide the fat on the stomach, inhaled in a light and comfortable belt. For the credibility of the advertisement accompanies the image hovering in the air, Bouncing young women. This was created by the British company “Silhouette” belt was the first product of elastic lycra, which later became widely used for sewing of underwear and sportswear.

  • A symbol of enslavement

    In 1970-e years the bra has acquired a special significance due to opposing Patriarchal enslavement of women. Some of them publicly burned bras in protest and liberation. Designer Helen Newman conveyed these sentiments in a brass bra suede lining, more like slave shackles, than on linen.

Resources on the Internet: a remarkable story of underwear

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